The Nyquist Frequency--Elephant Art

Not to be confused with the Nyquist rate, the Nyquist frequency is half a sampling frequency from a signal processing system. No wait...it has something to do with bandwidth? Fortunately, a degree in physics is not needed to understand Elephant Art, the debut release from a collective led by Keith Nyquist. Originally from DeKalb, Illinois, Nyquist takes a few Ubique Records friends along for the ride (Mark Mattson from Captains and Craig Swafford on drums). Modestly subdued, The Nyquist Frequency keep most of their 13 tracks bland—but a few shining gems break the tricky "same-old, same-old" layer of overused indie sediment. Taking root in some ‘70s influences (the band offers up comparisons to early Byrds, although I think that’s stretched and it would be better to jump into Elephant Art with neutral expectations), Elephant Art is generally a warm glowing mass of indie-pop, made ever sweeter by the delicious musk of DIY found all over the album. "Sand" sets up some vintage melodies complete with a tastefully distorted guitar solo. In a contrasting set-up, "Dark Skies" is one of the brightest tunes in Elephant Art, with a wonderfully pop melody (complete with applause) that still keeps a foot both in warm ‘70s memories and low-fi indie influences. Indeed, The Nyquist Frequency do a respectful job of blending many influences, and in a way come out sounding very original—albeit rough in spots. "Sunset" closes the album with bittersweet guitars and a forget-me-not lyrical track provided by Mark Mattson and Molly McNett. While the majority of Elephant Art may be forgetful (though better with each listen), the few catchy hits speak volumes at just where further development might take this young band—and specifically Keith Nyquist himself. A very respectful debut, I would not be surprised to hear from (and of) The Nyquist Frequency more in the future. Until then though, they’re your DIY indie treasure.

(Published at MusicEmissions.com)